Call for Papers: download
here (.pdf)
With the advent of modernism in the late 19th and
early 20th centuries the cultural paradigm of seeing underwent a
self-reflexive turn and generated new ways of perceiving, experiencing,
and thinking. A landslide of innovations in material and media culture
brought about new means of transportation and distribution,
communication and social interaction, as well as new methods of
representation and reproduction. Consequently, the visual received
multilayered attention in innovative artistic expression, reading, and
theorizing.
This conference attempts to trace manifestations
of novel and self-reflexive approaches to the visual in the core
disciplines of American studies. Possible areas of investigation
include, but are not limited to:
- Film:
intermedial negotiations with literature,
painting, sound, music,
writing
- Literature:
filmic writing, camera eye, concrete poetry, illustrations
- Advertising:
film posters, dust jackets of books, blurbs, trailers, window shopping
- History:
documentaries, history film, newsreels
- Politics:
propaganda film, visual rhetoric, newspapers
- Popular
Culture:
sensationalism, fairground attractions, expositions, vaudeville
- Science:
medical museums, scientific imaging and its popularizations
- Ethnography
and Geography:
ethnographic photography and film
- Minorities:
minority art and cinema, politics of ethnic display
- Gender:
shaping and visualizing gender identities, gendered gaze, voyeurism
- Art
History:
abstract painting, art film, animation, design, landscape photography
- Architecture
and Urban Studies:
department store, public art, urban landscaping
Contributions:
Conference contributions should address issues
of
American modernist culture with respect to visual self-reflection.
Examples of visual consciousness can manifest themselves in cultural
and artistic productions as well as in the theoretical discourses of
specific disciplines within American studies. The conference also
welcomes papers that explore the legacy of modernism in contemporary
visual culture.
Organization:
The conference will be jointly organized by
the
Swiss Association for North American Studies (represented by Deborah
Madsen, University of Geneva) and the Austrian Association for American
Studies (represented by Mario Klarer and Cornelia Klecker, University
of Innsbruck). The keynote lectures and various panels will be held in
seminar rooms and lecture halls at the Geiwi-Tower and the conference
opening in the old rooms of the Theology Faculty of the University of
Innsbruck.
Keynote
speakers:
As keynote speakers, we have already been able
to
win:
- Elisabeth
Bronfen
Professor
of English and American Literature
at the University of Zurich
- Tom
Gunning
Professor
and Chair of the Department of Cinema and Media Studies
at the University of Chicago
- Edward
Branigan
Professor
of Film and Media Studies
at the University of California, Santa Barbara
Graduate
Student
Forum:
In order to integrate students, we will
organize
graduate student forums as a section of the conference program and, as
usual, the Fulbright Prize will also be awarded. The conference
proceedings are intended to be published in SPELL with Deborah Madsen
and Mario Klarer as editors.
Contact:
Proposals for entire panels are more than
welcome.
For paper proposals, please send your abstract (300-500 words) and a
short scholarly biography (in one file) by May 3rd, 2010, to
Cornelia Klecker at:
cornelia.klecker@uibk.ac.at
AAAS
and SANAS Conference 2010
Department
of
American Studies
University
of
Innsbruck
Innrain 52
A-6020
Innsbruck, Austria
Tel: +43
512
507 4171 (Secretary’s Office)
|