Discipline «Music»

Publications Found: 13 · Show All Abstracts

Cariani P. (2002) Temporal codes, timing nets, and music perception. Journal of New Music Research 30(2): 107–136. Fulltext at http://cepa.info/4140
Gash H. & Conway P. (1997) Images of heroes and heroines: How stable. Journal of Applied Developmental Psychology 18: 349–372. Fulltext at http://cepa.info/2186
Gash H. & Domínguez Rodríguez P. (2009) Young people’s heroes in France and Spain. Spanish Journal of Psychology 12: 246–257. Fulltext at http://cepa.info/2187
Glanville R. (2011) To Be Decided. Cybernetics & Human Knowing 18(3–4): 101–110. Fulltext at http://cepa.info/3477
Høffding S. & Martiny K. M. (2016) Framing a phenomenological interview: What, why, and how. Phenomenology and the Cognitive Sciences 15: 539–564. Fulltext at http://cepa.info/4346
Krueger J. (2014) Varieties of extended emotions. Phenomenology and cognitive science 13(4): 533–555. Fulltext at http://cepa.info/2282
Krueger J. W. (2009) Enacting musical experience. Journal of Consciousness Studies 16(2–3): 98–123. Fulltext at http://cepa.info/4137
Luciani A. (2009) Enaction and music. Journal of New Music Research 38(3): 211–214. Fulltext at http://cepa.info/4546
Reybrouck M. (2001) Biological roots of musical epistemology: Functional cycles, Umwelt, and enactive listening. Semiotica 134(1–4): 599–633. Fulltext at http://cepa.info/4138
Reybrouck M. (2005) A biosemiotic and ecological approach to music cognition: Event perception between auditory listening and cognitive economy. Axiomathes – An International Journal in Ontology and Cognitive Systems 15(2): 229–266. Fulltext at http://cepa.info/4202
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