Discipline «Performing Arts»

Publications Found: 7 · Show All Abstracts

Glanville R. (2011) To Be Decided. Cybernetics & Human Knowing 18(3–4): 101–110. Fulltext at http://cepa.info/3477
Linke D. B. & Fischer H. R. (1998) Das Auge ohne Blick in Samuel Becketts “Film”. In: Fischer H. R. (ed.) Die Wirklichkeit des Konstruktivismus: Zur Auseinandersetzung um ein neues Paradigma. Second edition. Carl-Auer-Systeme, Heidelberg: 325–327.
Petlevski S. (2014) Beyond identity: The dynamic self at the intersection of performance philosophy and the philosophy of science. Interdisciplinary Description of Complex Systems 12(3): 187–209. Fulltext at http://cepa.info/4331
Redfern N. (2005) Film as text: Radical constructivism and the problem of narrative in cinema. Amsterdam International Electronic Journal for Cultural Narratology (AJCN) 2. Fulltext at http://cepa.info/4228
Rosen M. (2008) The control of control – Gordon Pasks kybernetische Ästhetik. Österreichische Zeitschrift für Geschichtswissenschaften 19(4): 73–110. Fulltext at http://cepa.info/2311
Scholte T. (2016) “Black Box” Theatre: Second-Order Cybernetics and Naturalism in Rehearsal and Performance. Constructivist Foundations 11(3): 598–610. Fulltext at http://cepa.info/2889
Scholte T. (2017) Audience and Eigenform: Cybersemiotic Epistemology and the “Truth of the Human Spirit” in Performance. Constructivist Foundations 12(3): 316–325. Fulltext at http://cepa.info/4182
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